Author Interview of The
Siege: A Psychological Thriller by James Hanna
Book: The
Siege
Author:
James Hanna
Registration
number: JH121214
ASIN:
B001PROD3U
Publication
date: 2-27-14
Publishing
company: Sand Hill Review Press
About the
book
On November 23, 2000, one hundred inmates hold twelve
guards hostage in the laundry dorm of The Indiana Penal Farm. Emergency squads
are massed along the fence, awaiting the order to attack, while sharpshooters
are perched like crows on top of the administration building. Tom Hemmings, a
dorm counselor, has been conscripted to defuse the standoff. But the inmates
are divided into rival gangs, the guards into feuding unions. And the prison
administration has sparked the standoff by forcing cut-rate services upon the
facility. As he enters the prison, Tom's heart starts to hammer. Who are the
good guys? Who are the bad? And how will this nightmare end?
1. What
inspired you to write the book?
I
wrote The Siege to dramatize the
plight of anyone working in the prison industry. Mismanagement, danger, and contracts with
cutthroat privateers are a big part of the problem. Another problem is that the employee unions
are generally too ineffectual to represent the line staff. Either they are in bed with management or so
busy vilifying one another that they have lost sight of their true
mission. I also wrote it as a metaphor
for America today. Like the bureaucrats
in The Siege, our politicians seem to
have prioritize mercantilism over humanity.
Thomas Jefferson is quoted as saying, “The end of democracy and the
defeat of the American Revolution will occur when government falls into the
hands of lending institutions and moneyed incorporations.” In America today, I feel we are close to the
defeat of the American Revolution.
2. When
did you realize that you wanted to write a book?
When
I was in my early twenties roaming Australia.
I read a lot of books by campfire, which inspired me to write. Eventually, I rented a bungalow on the Tasman
coast and began my writing career.
3. Who
helped you in writing this book?
My
publisher with Sand Hill Review Press, Tory Hartmann, was a huge help. She guided me through three drafts of the
novel in which I cut excessive verbiage and honed my characters. I also got help from my critique group and
Elise Miller, a writer whose book, A Time
to Cast Away Stones, was also published by Sand Hill Review Press.
4. How
is your book going to inspire the reader?
The
book does not have an inspirational message.
I think messages diminish novels by turning them into rhetoric. I want the reader to experience the situation
for himself. I want his to smell the
tear gas, see the dead bodies, and feel the frustration of an insular prison
bureaucracy. And then I’d like him to
come to his own conclusions.
5. Why
did you choose the psychological thriller formula?
The Siege is not a
formulized novel. It’s dynamic lies in
the tangled psychological interactions of its characters. I prefer books that are character-driven over
books that are plot-based. I think they
touch the reader on a much deeper level.
6. How
do you find time to write and which part of the day do you find best for
writing?
I
wrote The Siege in spurts over a ten
year period. I wrote mostly on the
weekends because my job as a probation officer in a domestic violence unit took
a lot out of me. In many ways, I stole
time to write while fighting sleep deprivation.
But the book needed to be written—the characters converged on me like
riled-up strangers demanding to be heard.
I’m now retired from criminal justice and have the luxury of writing
every day. I generally write in the
morning and market in the afternoon.
7. Which
books have inspired you the most in the journey of writing this book?
That’s
hard to say since I’ve read so many. The
ones that come to mind at this moment are Johnny
Got His Gun, Drift, Lone Survivor, and Atonement. These books capture the disconnect between
war and the polemics of war, which is a theme in The Siege. I also like The Blood Meridian for its bleak
sensuality.
8. What
is the best advice you would give for writers who are trying to write a book?
It’s
important to realize that there is no substitute for hard work—not even
talent. Thousands of talented people try
to write books but get derailed. I would
urge writers who are serious about completing a book to set up a writing
schedule. This will mean giving up
something they enjoy. I would also urge
them to get meaningful feedback. This is
more likely to come from strangers than from family and friends. And once the book is completed, they will
need to learn the dynamics of marketing.
Otherwise, they will become the equivalent of a musician playing outside
of a subway station. No matter how
brilliantly the musician plays, ninety-nine people out of a hundred will walk
past him without a second thought.
9. What
are your hobbies?
Tennis
and reading. I would urge all writers
to have a hobby. Something that helps
them re-energize.
10. What
can we expect from you in the future?
Call Me Pomeroy, my second
novel, will soon be in its third edition.
This is a book about the misadventures of a street musician who joins
Occupy Oakland and its spinoffs movements in England and France. He does not join for political reasons but to
get on television, attract an agent, and land a million dollar recording contract. Some of the book was serialized in Empty Sink Publishing, an online journal
that likes the quirky stuff. I’m now
hoping to bring Pomeroy to a larger audience.
About the
Author
James Hanna wandered Australia for seven years
before settling on a career in criminal justice. He spent twenty years as
a counselor in the Indiana Department of Corrections and fourteen years as
a probation officer in San Francisco where he was assigned to a domestic
violence and stalking unit. James' stories have appeared in many journals and have received three Pushcart nominations. The Siege is his first published novel.
violence and stalking unit. James' stories have appeared in many journals and have received three Pushcart nominations. The Siege is his first published novel.
Author Website: James Hanna
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